46 French films or co-productions at VIFF 2013!

The popular SPOTLIGHT ON FRANCE annual series highlights the fertile cinematic culture that is very much alive and well in France, owing to its rich heritage in cinematographic art.

SPOTLIGHT ON FRANCE : http://www.viff.org/festival/series/spotlight-on-france
Besides the Spotlight, other French productions or co-productions are also showcased during the 2013 edition of the VIFF. In total, 46 French co-productions will be presented.
- Soirée Spotlight on France on Oct. 3rd


JPEG11.6 -
Sep 27, 8:45pm, INo9- Sep 30, 3:40pm, INo9
In 2009, French security van driver Toni Musulin disappeared with 11.6 million euros (hence the film’s title), instantly propelling himself to celebrity status in France. François Cluzet (Intouchables) stars in Philippe Godeau’s noirish, psychological take on the heist and its aftermath. "Fascinates from beginning to end."—Hollywood Reporter

JPEGBlue Is the Warmest Colour
(La vie d’Adèle—Chapitres 1 & 2)
Sep27, 10:30am,SFU-Oct 5,12:00pm, RIO- Oct 10,8:30pm, PLAY
A tour de force of unbridled intimacy and graphic sexuality, Abdellatif Kechiche’s acclaimed drama features superb performances from Léa Seydoux and Adèle Exarchopoulos as young women finding their love for each other. "A shattering masterpiece about sexual awakening, heartbreak and self-discovery…"—Atlantic. Winner, Palme d’Or (for film and lead actors), Cannes 2013.

JPEGCamille Claudel, 1915
Sep 27, 4:30pm, SFU - Oct 4, 6:45pm, INo8
The great Juliette Binoche gives a stirring performance as the sculptress and lover of Rodin who was unjustly confined to a benevolent asylum in Provence for 30 years. A gorgeously filmed and deeply disturbing portrait from iconoclastic master Bruno Dumont (L’humanité).

JPEGGrand Central
Oct 2, 4:20pm, IN10 - Oct 5, 9:15pm, RIO
Two of France’s hottest young stars, Léa Seydoux (Blue Is the Warmest Colour) and Tahar Rahim (The Prophet), play workers at a nuclear power station who fall in love in Rebecca Zlotowski’s powerful drama. Offers a rare and fascinating look inside the everyday workings of a nuclear power plant. "Engrossing, superbly acted."—Variety

JPEGLa maison de la radio
Sep 26, 1:30pm, SFU- Sep 30, 7:00pm, IN10-Oct 3, 9:20pm, INo8
A wonderful film about listening, and about the value of great public institutions. Nicolas Philibert (To Be and To Have) turns his probing, sensitive camera on the inner workings of public broadcaster Radio France to enchanting, enlightening and frequently surprising effect. "A terrific documentary… humorous as well as continually insightful."—Variety

JPEGMichael Kohlhaas
Sep 30, 9:15pm, CENT - Oct 11, 1:30pm, PLAY
Mads Mikkelsen (The Hunt) stars in Arnaud des Pallières’ atmospheric adaptation of Heinrich von Kleist’s classic novella about principles, law and revenge. In 16th-century Cévennes, a horse-dealer is wronged by a local lord. His search for justice will ravage the countryside.

Sep 27, 9:15pm, VCT - Sep 29, 2:45pm, VCT
“Films that truly surprise are the rarest of the rare… Marianne Pistone and Gilles Deroo have crafted a prose poem on the randomness of life itself, at first focusing on a young man working as a prep chef and then, quite suddenly, introducing a freak event that changes the course of the picture and steers it down unexpected paths…"—Variety Winner, Best First Film, Special Jury Prize, Filmmakers of the Present, Locarno 2013.

JPEGOn the Edge of the World
(Au bord du monde)
Oct 4, 7:00pm, VCT - Oct 6, 10:30am, INo8
Paris, at night. This is where Jeni, Wenceslas, Christine, Pascal and the others live. Homeless, they haunt the streets and bridges, and the corridors of the metro, on the edge of a world where society no longer offers protection. They face us and they talk… Claus Drexel’s luminously shot film contrasts the beauty of the city with the plight of the homeless to deeply moving effect. DIRECTOR CLAUS DREXEL IN ATTENDANCE.

JPEGUnder the Rainbow
(Au bout du conte)
Sep 27,1:00pm,INo9 - Oct 2, 9:00pm, CENT
All of the fairytale archetypes—be they wolves or fairy godmothers—are present in Agnès Jaoui’s (The Taste of Others) delightful comedy. However, as a beguiling ensemble of lovelorn Parisians navigate their romantic entanglements, the playful narrative skirts conventional happily-ever-afters and steers itself into far more realistic and rewarding territory.

JPEGYou Ain’t Seen Nothin’ Yet
(Vous n’avez encore rien vu)
Oct 5, 6:45pm, CENT - Oct 9, 3:45pm, PLAY
The great Alain Resnais brings together a fantastic cast—Piccoli, Azéma, Arditi, Amalric and others—for a roundelay of theatre and passion in a country house. "Digital technology meets lyrical drama… in this puckishly daring, intricately original work."—New Yorker. Dedicated to the memory of film critic, professor and VIFF friend Mark Harris.

JPEGYoung & Beautiful
(Jeune & jolie)
Oct 5, 9:15pm, PLAY - Oct 10, 1:00pm, PLAY
François Ozon’s controversial drama follows 17-year-old Isabelle (Marine Vacth), from a comfortable Parisian background, who chooses to become a high-class prostitute. Ozon’s refusal to judge coupled with Vacth’s amazing performance make for a disturbing and deeply affecting work.


"The [Cannes] festival’s most brilliant movie was Jean-Luc Godard’s The Three Disasters… 3D as you have never seen it before… A masterpiece, the first movie of the cinematic future.”—Film Comment. Peter Greenaway’s and Edgar Pêra’s parts of this trilogy are pretty eye-popping too!

The Past
Iran’s Asghar Farhadi (A Separation), now working in France, directs the brilliant Bérénice Bejo (The Artist), Tahar Rahim (A Prophet, Grand Central) and Ali Mosaffa in a tense domestic relationship triangle. "An intricate and often brilliant drama, with restrained and intelligent performances… Farhadi’s filmmaking is compelling."—Guardian. Winner, Best Actress, Cannes 2013.

The Congress
Waltz with Bashir’s Ari Folman again pushes the boundaries of animation with this audacious reinvention of Stanislaw Lem’s The Futurological Congress. When Robin Wright (playing herself) consents to being digitally preserved, she’s inadvertently plunged into a dystopian "animation zone." A mind-bending "ode to the wonders of cinematic invention."—Indiewire

Autumn’s Spring
(Danser le printemps à l’automne)
Twenty retirees from Marseille, aged 60 to 87 and without any dance experience, spent seven years working with choreographer Thierry Thieû Niang on a performance of Stravisnky’s The Rite of Spring. It became a hit throughout France and Denis Sneguirev and Philippe Chevallier’s delightful film shows the culmination of this extraordinary journey.

The Bag of Flour
(Le sac de farine)
Just as bright young Sarah is learning to negotiate life in a Belgian Catholic orphanage she is wisked away to a remote Moroccan village. Director Kadija Leclere draws from her own abduction experiences to craft a remarkably immersive film. "Piercingly bittersweet… Beautifully low-key… [A] valiant first feature…"—Hollywood Reporter

Michael H. Profession: Director
Spanning the totality of Michael Haneke’s career and featuring interviews with him, as well as footage of Haneke working on the films Amour (Oscar winner for best foreign language film), Code Unknown and The White Ribbon, Yves Montmayeur’s documentary portrait is "a must-see for anyone who admires this director."—Guardian

Once Upon a Forest
(Il était une forêt)
Luc Jacquet (March of the Penguins) and pioneering botanist and ecologist Francis Hallé fly us to the very top of the Amazon rainforest canopy and chronicle seven centuries in the life of this "green lung" of the world. A glorious celebration of trees and a call to arms for the protection of this wondrous tropical ecosystem.

The Missing Picture
(L’ image manquante)
In this piercing masterpiece, Rithy Panh grapples with the horrors Cambodia faced under the Khmer Rouge. "A series of painstakingly crafted dioramas… at once extremely fragile and necessarily distanced… A dam constructed to control the flow of an ocean of sorrow."—Film Comment. Winner, Best Film, Un Certain Regard, Cannes 2013.

A Lady in Paris
(Une Estonienne à Paris)
Jeanne Moreau gives another in a lifetime’s worth of great performances as Frida, an Estonian woman long settled in Paris who must accept a fellow Estonian caregiver (Laine Mägi) into her upscale home. Ilmar Raag’s moving observational tale is "a story of gradual transformation, slight, graceful and incidental."—Sydney Morning Herald

Dernière modification : 04/10/2013

top of the page